What you can hold us to
This page describes how Ootheday is made. It is here so that you can decide how much weight to give anything else on the site.
Standards
How Ootheday chooses topics, checks claims, names writers, dates articles and handles corrections and commercial links.
This page describes how Ootheday is made. It is here so that you can decide how much weight to give anything else on the site.
A few of the links here make us money. That covers the running costs and stops well short of buying a kinder paragraph around them.
Requests to soften a verdict are declined, and we keep them on file. More than one has become the subject of its own paragraph later.
We attach a person to every article on purpose. It means a mistake costs the writer something, which is the strongest quality control a site this size has.
Talia Brenner, Founder and personal stylist. Talia started by dressing friends for job interviews and first dates in college, and kept going once she realized most style advice assumes a budget and a body nobody she knew actually had.
Noah Castillo, Thrifting and secondhand writer. Noah has bought secondhand clothing for a decade and knows exactly which stores run small, which run large, and which tags mean nothing at all. He writes about buying used clothing without guessing.
Ines Duarte, Accessories and styling writer. Ines believes one well chosen accessory does more for an outfit than five new pieces of clothing, and she has spent years testing that theory against her own closet.
Topics come from three places: reader mail, our own notes, and gaps we notice while reading what else is published. Nothing gets written because a keyword tool suggested it.
We treat dates as facts, not decoration. Refreshing a page to look current without changing its substance is a small lie we would rather not tell, so we do not touch the date unless the content genuinely moved.
Write to info@ootheday.com with the page address and what is wrong. Factual errors are fixed quickly. If the correction changes the conclusion of a piece, we add a short note at the foot of the page rather than quietly editing it.